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Will Straw, PhD
Phone: (514) 398 7667 |
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BA, Film Studies,
Carleton. AWARDS
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PUBLICATIONS Volumes Edited Global
Cities/Local Sites. Co-edited with
Douglas Tallack. Melbourne: Melbourne University Publishing/Universitas
21, 2009. U21 Ebook. Cultural Memory and
Digital Preservation. Special issue,
vol. 15, no. 3 (August, 2009) of Convergence: The International Journal of Research into
New Media Technologies. Co-edited with Jessica Santone. The Cambridge Companion to Rock and Pop. Co-edited by Simon Frith, Will Straw and
John Street. Chinese translation, Taiwan: Cite Publishing,
2006. Korean translation, Seoul: Hannarae Publishing House,
2005. Spanish translation, Barcelona: Ediciones Robionbook,
2006. Accounting for Culture:
Thinking Through Cultural Citizenship. Co-edited
with Caroline Andrew, Monica Gattinger and Sharon Jeannotte.
Ottawa: University of Ottawa Press, 2005. Cities/Scenes. Special issue, no. 22/23 of Public.
Co-edited with Janine Marchessault. Toronto: Public Access/York University,
2002. The Cambridge Companion to Rock and Pop. Co-edited by Simon Frith, Will Straw and
John Street. Cambridge: Cambridge University Press, 2001. Canadian Identity: Region/Country/Nation. Co-edited by Caroline Andrew, Will Straw
and J.-Yvon Thériault. Montreal: The Association for Canadian Studies, 1998. Paraliterary Scandals in Canada. Special issue of Essays in Canadian
Writing. No. 62. (Montreal: ECW Press, 1998). Theory Rules: Art as Theory, Theory and
Art. Toronto: University of Toronto
Press/YYZ Artists Outlet: 1996. (With Jody Berland and Dave Tomas.) Popular Music: Style and Identity. Montreal: The Centre for Research on
Canadian Cultural Industries and Institutions/International Association for
the Study of Popular Music, 1995. (With Stacey Johnson, Rebecca Sullivan and
Paul Friedlander.) The Music Industry in a Changing World, special issue of Cultural Studies,
Vol. 5, No. 3 (London: Routledge, 1991), 137 pp. (with John Shepherd).
“Hawkers
and Public Space: Free Commuter
Newspapers in Canada.” In Bart
Beaty, Derek Briton, Gloria Filax and
Rebecca Sullivan, eds. How Canadians
Communicate III: Contexts of Canadian
Popular Culture. Athabasca: AU Press, 2010, pp. 79-93.
"The Palace,
the Terminal and the Park: Three Blocks in the Middle of Montreal." In Will Straw and Douglas Tallack,
editors. Global
Cities/Local Sites. Melbourne: Melbourne University Publishing/Universitas
21, 2009. U21 Ebook. "Soft
furnishings and social forms." Artecontexto (Madrid), vol. 22, no. 2
(2009). (With Richard Sutherland). "The Canadian Music
Industry at a Crossroads." In David Taras, Frits Pannekoek,
and Maria Bakardjieva, editors. How Canadians Communicate II: Media,
Globalization and Identity. Calgary, Alberta: University of Calgary
Press, 2007, pp. 141-165. "Systems of Articulation, Logics of
Change: Scenes and Communities in Popular Music." Reprinted in Ken
Gelder, editor, The Subcultures Reader. 2nd Edition.
London: Routledge, 2005. Pathways of Cultural Movement." In
Caroline Andrew, Monica Gattinger, Sharon Jeannotte and Will Straw, editors. Accounting
for Culture: Thinking Through Cultural Citizenship. Ottawa: University of
Ottawa Press, 2005, pp. 183-197. "Traffic in Scandal: The Case of Broadway Brevities."
University of Toronto Quarterly, vol. 73, no. 4 (Fall, 2004), pp.
947-971. "Ciudades de perdición: la economía
moral de las fronteras norteamericanas", In Alejandro Mercado Celix and
Elizabeth Gutiérrez Romero, editors. Fronteras en
América del Norte, Estudios Multidisciplinarios, México: CISAN-UNAM,
2004, pp. 149-160. Translated
by Amelia Estévez. "Systems of Articulation, Logics of
Change: Scenes and Communities in Popular Music." Reprinted in Simon
Frith, editor, Popular Music: Critical Concepts in Media and Cultural
Studies . London: Routledge, 2004, pp. 268-288. "No Future? The Canadian Music
Industries." In David Taras, Frits Pannekoek, Maria Bakardjieva,
editors. How Canadians Communicate. Calgary: University of Calgary
Press, 2003, pp. 203-221. "Estudos Culturais no Canada e nos
Estados Unidos." In Itania Maria Mota Gomes and Maria Carmem Jacob de
Souza, eds. Media & Cultura, Salvador: Federal University of
Bahia, 2003. (Original text, translated by Jeder Janotti), pp. 13-27. "L’industrique
du disque au Québec." In Denise Lemieux, ed. Traité de la Culture.
Québec: Presses de l’Université Laval,
2002. (English version here) "Value and Velocity: The
12-inch Single as Medium and Artefact?." In Keith Negus and
David Hesmondhalgh, editors, Popular Music Studies. London: Edward
Arnold, 2002. "Reinhabiting Lost Languages: Guy Maddin’s
Careful." In Gene Walz, ed. Canada’s Best Features: Critical
Essays on 15 Canadian Films. Amsterdam and New York: Rodopi, 2002, pp.
304-317. "Dilemmas of Definition." In Joan
Nix and Jeannette Sloniowski, editors, Slippery Pastimes: Reading the
Popular in Canadian Culture. Waterloo: Wilfred Laurier University,
2002. Manuscript version here. "Musica, industria y la economia
politica." In Monica Gambrill, editor, La globalizacion y sus manifestaciones
en América del Norte. Mexico
City: Centro de Investigaciones sobre América del Norte, 2002, pp. 395-414. "Exhausted Commodities: The
Material Culture of Music." Canadian Journal of
Communication, vol. 25, no. 1 (Winter, 2000), pp. 175-185. "Proliferating Screens." Screen,
vol. 41, no. 1 (Spring, 2000), pp. 115-119. "Music as
Commodity and Material Culture." In Repercussions, vol.
7-8 (Spring-Fall, 1999-2000, published 2002), pp. 147-172. "Consumption." In Simon Frith,
Will Straw and John Street, editors. The Cambridge Companion to Pop and
Rock. Cambridge: Cambridge University Press, 2001, pp. 53-73. Dance Music." In Simon Frith, Will
Straw and John Street, editors. The Cambridge Companion to Pop and Rock.
Cambridge: Cambridge University Press, 2001, pp. 158-175. "The Political Economy of
Credibility." In Tony Mitchell and Peter Doyle, editors. Changing
Sounds: New Directions and Configurations in Popular Music. Sydney:
University of Technology, Sydney, 2001, pp. 260-262. "Authorship." In Bruce Horner and
Thomas Swiss, eds. Key Terms in Popular Music and Culture. Malden,
Mass. and Oxford: Blackwell Publishers, 1999, pp. 199-208. 'Radio and Sound Recording Policy in
Canada,' Australian-Canadian Studies, Vol. 7, Nos. 1-2 (1989), pp.
163-166 (with Karyna Laroche). 'The Myth of Total Cinema
History,' Cine-Tracts No. 9 (Winter, 1980), pp. 8-16. 'Semiotics and Communications Studies:
Points of Contact,' in Progress in Communications Studies, Vol. III
(Norwood, N. J.: Ablex Publishing Company, 1983) pp. 91-114 (with G. J.
Robinson). 'Scene'. Continuum Encycopedia of Music
of the World. Vol. 1. London, New York: Continuum Publications, 2003, pp.
349-250. 'Television' (with Richard Peterson,
Dave Laing). Continuum Encycopedia of Music of the World. Vol. 1.
London, New York: Continuum Publications, 2003, pp. 471-474. 'Single' (with Keir Keightley.) Continuum
Encycopedia of Music of the World. Vol. 1. London, New York: Continuum
Publications, 2003, pp. 779-780. "The Music Industry" (with David
Sanjek). The Garland Encyclopedia of World Music, Volume 3 (New York
and London: Garland Publishing, Inc., 2001), pp. 256-267. 'Discotheques,' entry in The
Encyclopedia of Music in Canada, 2nd ed. (Toronto: University of Toronto
Press, 1992). Published Translations (French
to English) Articles in non-refereed
journals, miscellaneous scholarly publications "Touchstones: The Comfort Suite."
Catalog essay. In Dan Ring, Curator, Antipathies & Correspondences:
Rae Staseson, Linda Duvall, Joanne Bristol. Saskatchewan: Mendel Art
Gallery, 2001, pp. 9-13. "Esquivel, Yé-Yé and Me." Vice-Versa,
no. 53 (Autumn, 1996), pg. 45. "Post-Referendary Positions: A
Dossier." Public no. 14 (1996), pp. 134-139. "Does the Cinema have a Future?" Catalogue essay, Cinq
journées du cinéma indépndant, Mainfilm, Montreal, November, 1994. "Organized Disorder: The Changing
Space of the Record Shop." Fuse vol. xvii, nos. 5-6 (1994), pp. 27-31. "The Booth, The Floor and the Wall: Dance
Music and the Fear of Falling," in Public, no. 8 (1993), pp.
169-182. 'Popular Culture and Youth Culture in a
Canadian Context,' in Youth Policy, Action, Theory, Research (Ottawa:
Canadian Council on Social Development, 1987), pp. 22-35. 'Heavy Metal,' Impulse, Vol. 12, No.
1 (Summer, 1985), pp. 38-40. 'Representational Features of Media
Coverage in the Quebec Referendum Campaign,' Working Papers in
Communications Vol. 3 (Montreal: McGill University Graduate Program in
Communications, 1981) Review Articles "Review Essay: Popular Music and
Local Identity and Global Pop: World Music, World Markets,"
Perfect Beat, vol. 4, no. 1 (July, 1998), pp. 106-111. Commentary
on Antoine Hennion, La passion musicale: une sociologie de la médiation.
Section débats. Etudes
littéraires, vol. 27, no. 3 (Winter, 1995), pp. 139-142. 'Review Article,' reviewing Simon Frith,
Music for Pleasure, Simon Frith, ed., Facing the Music; Simon Frith and
Andrew Goodwin, eds, On Record: Rock, Pop and The Written Word; Peter
Wicke, Rock Music: Culture, Aesthetics and Sociology in Canadian
University Music Review, Vol. 10,. No. 2 (1990) pp. 157-161. 'Science Fiction in Popular Culture,' in Science-Fiction
Studies, Vol. 8, No. 2 (July, 1981), pp. 222-223. 'What's Wrong With SF Film Criticism?' in Science-Fiction
Studies, Vol. 7, No. 3 (November, l980), pp. 344-345. 'Two Special Issues on SF Cinema,' in Science-Fiction
Studies, Vol. 7, No. 3 (November, 1980), pp. 345-346. |